envelope is a trans-media interactive.
recombining itself with the pre-sampled
observer as a non-linear. non-ending
collaboration to re-interpret all forms
and processes in real time.
envelope proposes a process of equally
distributed medias “envelopes” a system
of signs submitted to interpretation. the
presence of these signs are not identities
but. envelopments of difference. of a
multiplicity of actions. materials and levels.
envelope defines the force of the collaborative
process through the combination of different
medias and their own individual strengths and
re-sampled archetypal nostalgias. Envelopment
is not a metaphor: “a thing has as many meanings
as there are forces capable of seizing it”. envelope
is a tool. a connecting tool between disparate
real time events. real entities are events. not
concepts. envelope is designed to create an open
space. to insert a silence and establish the
communicating vectors. with spontaneity. like in
free jazz with certain ambiguity. like in a child’s
drawing – with a powerful convergent instrument: technology.
envelope’s goal is to develop what is “enveloped”
behind the signs. behind the music and it’s language.
behind art and its language. behind language and it’s
multiple new forms. interpretation is also creation.
new video work from en.ve.lope featuring borrowed video from ruccas.org’s Richard Garet and many underwater ocean documentaries + Gerry
dry ocean transmission
collaborative video art by djalma primordial science and en.ve.lope
dying breath module 1
dying breath module 2
dying breath module 3
dying breath module 4
dying breath module 5
dying breath module 6
dying breath module 7
dying breath module 8
dying breath module 9